Lou Reed

"Perfect day"
Music video to the 1997 BBC Children in Need charity single. A cover of Lou Reed's "Perfect Day".

Performed by (in order of appearance): Lou Reed, Bono, Skye Edwards (from Morcheeba), David Bowie, Suzanne Vega, Elton John, Sir Andrew Davis (conductor of the BBC Symphony Orchestra), Boyzone, Lesley Garrett, Burning Spear, Bono, Sir Thomas Allen, Brodsky Quartet, Heather Small (from M People), Emmylou Harris, Tammy Wynette, Shane MacGowan, Sheona White (BBC Young Brass Soloist of the Year 1996), Dr. John, Robert Cray, Hugh "Huey" Morgan (from Fun Lovin' Criminals), Ian Broudie (from The Lightning Seeds), Gabrielle, Evan Dando (from The Lemonheads), Courtney Pine, BBC Symphony Orchestra, Brett Anderson (from Suede), Visual Ministry Choir, Joan Armatrading, Laurie Anderson and Tom Jones.




From Wikipedia, the free encyclopedia

Lewis Allan "Lou" Reed[1] (born on March 2, 1942) is an American rock musician, songwriter, and photographer. He is best known as guitarist, vocalist, and principal songwriter of The Velvet Underground, and for his successful solo career, which spans several decades and crosses multiple genres. The Velvet Underground gained little mainstream attention during their career, but became one of the most influential bands of their era.[2] As the Velvet Underground's main songwriter, Reed wrote about subjects of personal experience that rarely had been examined so openly in rock and roll, including a variety of sexual topics and drug culture.
After his departure from the group, Reed began a solo career in 1971. He had a hit the following year with "Walk on the Wild Side", although for more than a decade he evaded the mainstream commercial success its chart status offered him.[3] Reed's work as a solo artist has frustrated critics wishing for a return of The Velvet Underground. The most notable example is 1975's infamous double LP of recorded feedback loops, Metal Machine Music, upon which Reed later commented: "No one is supposed to be able to do a thing like that and survive." He is also responsible for the name and popularization of ostrich tuning.
By the late 1980s, however, he had garnered recognition by the music community as an elder statesman of rock.

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