Quadro Nuevo

"Miserlou"
Album: Mocca Flor (2004)
Adapted traditional Greek song



From Wikipedia, the free encyclopedia

Quadro Nuevo is a German acoustic quartet which was founded in 1996 and can be categorized as World Music and Jazz. The band is composed of Robert Wolf, Mulo Francel, D.D. Lowka and Andreas Hinterseher (original Heinz-Ludger Jeromine).
Within the last decade the band played about 1500 concerts all over the world and is with its numerous awards and Chart Positions among the internationally most successful German Jazz Bands^{[citation needed]}.
Their style is a composition of (cit. Quadro Nuevo) "Tango, Valse Musette, Flamenco, lovely dedusted filmmusic and an almost faded Italy".

The members of the band consist of:
Mulo Francel (sax, clarinet, mandoline, vibraphon and others)
Robert Wolf (guitar and others)
Andreas Hinterseher (accordion, vibrandoneon, piano and others)
D.D. Lowka (acoustic bass, percussions and others)

"Mocca Swing"
Album: Mocca Flor (2004)
Written-By – Mulo Francel

Gotan Project

"Triptico"
Album: La Revancha del Tango  (2001)



From Wikipedia, the free encyclopedia

Gotan Project is a musical group based in Paris, consisting of musicians Philippe Cohen Solal (French), Eduardo Makaroff (Argentine), and Christoph H. Müller (Swiss, former member of Touch El Arab).

Gotan Project formed in 1999. Their first release was "Vuelvo Al Sur/El Capitalismo Foráneo" in 2000, followed by the album La Revancha del Tango in 2001. Their music involves tango, but also uses elements such as samples, beats, and breaks.

Live material was also broadcast on Gilles Peterson's world music show Worldwide on BBC Radio 1 in May 2004. Philippe Cohen Solal has also released a DJ set: Inspiración Espiración - A Gotan Project DJ Set Selected & Mixed by Philippe Cohen Solal (2004). This album is a compilation of classic tangos from the likes of Aníbal Troilo, Ástor Piazzolla and Gotan Project remixes. The album also includes a bonus CD with the track "La Cruz del Sur" - which was meant to be included on La Revancha del Tango, but did not make the cut in 2001.
Before Gotan Project, Müller and Cohen Solal formed a duo called Boyz from Brazil.
The name of the trio is a play on the name of a famous tango compilation album that featured several American classical musicians who came together to record a tango album, originally released in 1982. This album, called the Tango Project, includes a rendition of Carlos Gardel's and Alfredo Le Pera's "Por Una Cabeza" which had been featured in movies such as Schindler's List, Scent of a Woman and True Lies.

Following the renewed success of the "Tango Project" album, the modern trio then decided to give themselves a name that paid tribute to the "Tango Project", this time using a form of word play called "vesre" that is very common in Lunfardo, an argot of Rioplatense Spanish. This wordplay involves, in the simplest cases, moving the last syllable to the beginning of the word ("vesre" itself is "reves"—the Spanish word for "reverse"—with the second syllable in first). Thus, the word Tango becomes Gotan, the name the trio have chosen for their project in reference to the hugely-successful Tango Project album which helped popularize tango music once again.

Carlos Libedinsky

"Dos"
Album: Narcotango vol. 2 (2006)



From Wikipedia, the free encyclopedia

Carlos Libedinsky is an Argentine musician, composer and producer. He is most renowned for his neo-tango project, Narcotango.
Before tango, Libedinsky transited through different genres, such as rock, pop, blues, medieval and renaissance music. In 1992, he founded the duet Los Mareados, where he was also a composer.
Since 1986, he has been the director of Tademus, a music school in Buenos Aires.
As Narcotango, he made European tours in 2003, 2005 and 2007.
The Narcotango band consists of the following members:
Carlos Libedinsky, on bandoneón
Mariano Castro, on keyboard and samplers
Marcelo Toth, on guitar
Fernando del Castillo, on drums/ percussion
Juan Pablo Maicas, on bass

"Gente que sí"
Album: Narcotango vol. 2 (2006)

Otros Aires

"Aquel Muchacho Bueno"
Album : Vivo En Otros Aires : (2008)

 

From Wikipedia, the free encyclopedia

Otros Aires is a Spanish/Argentine neo-tango group, founded in 2003 in Barcelona by Argentine musician/architect Miguel Di Genova.
Otros Aires mixes the first tangos and milongas records from the beginning of the last century (Gardel, Razzano, D'Arienzo, etc.) with electronic sequences, melodies and lyrics of the 21st century.
The current formation features Miguel Di Genova (voice, guitar and sequences), Emmanuel Mayol (drums and percussion), Omar Massa (bandoneon) and Diego Ramos (piano). Previous members include Toni Cubedo (bass), Josep Lluis Guart (piano), Hugo Satorre (bandoneon) and Pablo Lasala (keyboards)
On December 11, 2004, known as "Tango day", Otros Aires presented its first CD at the Carlos Gardel's House Museum, commemorating the birthday of the famous singe.

"Essa"
Album : Tricota (2010)

B.B.King

"Rock Me Baby"
The song has become one of the most recorded blues songs of all time. When B.B. King released "Rock Me Baby" in 1964, it became a Top 40 hit reaching #34 in the Billboard Hot 100.^[3] The song is based on earlier blues songs and has been interpreted and recorded by a variety of artists.



From Wikipedia, the free encyclopedia

Johnny Otis

"Willie and the Hand Jive"

The Hand jive is a dance particularly associated with rock and roll and rhythm and blues music of the 1950s. It involves a complicated pattern of hand moves and claps at various parts of the body, following and/or imitating the percussion instruments. It resembles a highly elaborate version of Pat-a-cake. Hand moves include thigh slapping, cross-wrist slapping, fist pounding, hand clapping, and hitch hike moves.
In 1957 when film-maker Ken Russell was a freelance photographer, he recorded the teenagers of Soho, London hand-jiving in the basement of The Cat's Whisker coffee bar, where the hand-jive was invented. According to an article in the Daily Mirror,^[1] "it's so crowded the girls hand-jive to the band as there's no room for dancing." Russell told interviewer Leo Benedictus of The Guardian^[2] that "the place was crowded with young kids... the atmosphere was very jolly. Wholesome... everyone jiving with their hands because there was precious little room to do it with their feet... a bizarre sight. The craze fascinated me. It seemed like a strange novelty; I used to join in."
The hand-jive was particularly popularized by Johnny Otis's 1958 hit "Willie and the Hand Jive". Miles Davis has a track named "Hand Jive" on his album "Nefertiti" from 1967. Eric Clapton did a version of the Johnny Otis song in 1974 that reached the Top 40.^[3] The hand jive is also featured prominently in the Broadway musical Grease through the song "Born to Hand Jive"; in the movie adaptation of the musical, the song is performed by Sha Na Na. On a DVD audio commentary for the movie, choreographer Patricia Birch mentions that the dance also went by the much more risque name "hand job", but the title was changed as Grease was aimed at a family audience. The long-running Walt Disney World show Festival of the Lion King uses this during the song "Hakuna Matata," and the performers and audience do it while singing the song. The audience is taught the hand jive some time before the show begins.
Additionally, "Willie and the Hand Jive" was played on several occasions by the Grateful Dead and also by the New Riders of the Purple Sage with Jerry Garcia, Sony, 1972^[4]
This song exhibited the Bo Diddley beat, a rhythm that originated in Latin music and brought into mainstream American music by Bo Diddley. It has since influenced generations of musicians.
George Thorogood and the Delaware Destroyers recorded a version of the song and a music video.^[5]
Laurin Rinder & W. Michael Lewis made a disco version of "Willie and the Hand Jive" for their 1979 album Warriors.^[6]
The term is also used by some jugglers in reference to certain hand motions in the Mills Mess juggling pattern.
In recent years, the dance has been utilized for accompaniment with the Gorilla Zoe track "Hood Nigga." The song was also a considerable hit in Britain for Cliff Richard and the Drifters (later Shadows)



From Wikipedia, the free encyclopedia

Ioannis Alexandros Veliotes^[1] (December 28, 1921 – January 17, 2012), better known as Johnny Otis, was an American singer, musician, talent scout, disc jockey, composer, arranger, recording artist, record producer, vibraphonist, drummer, percussionist, bandleader, impresario and pastor^[2]. Born in Vallejo, California,^[1] he is commonly referred to as the "Godfather of Rhythm and Blues".^[3]

Otis was the child of Greek immigrants Alexander J. Veliotes, a Mare Island longshoreman and grocery store owner, and his wife, the former Irene Kiskakes, a painter.^[1][4]
He was the older brother of Nicholas A. Veliotes, former U.S. Ambassador to Jordan (1978–1981) and to Egypt (1984–1986).
Otis was well-known for his choice to live his professional and personal life as a member of the African-American community.^[5][6][7] He has written, "As a kid I decided that if our society dictated that one had to be black or white, I would be black."^[8]
He was the father of musician Shuggie Otis.

Nirvana

"Where did you sleep last night"  (Unplugged).

"In the Pines", also known as "Black Girl" and "Where Did You Sleep Last Night", is a traditional American folk song which dates back to at least the 1870s, and is believed to be Southern Appalachian in origin. The identity of the song's author is unknown, but it has been recorded by many artists in numerous genres. Traditionally, it is most often associated with the American folk musician Lead Belly, who recorded several versions in the 1940s, as well as the American bluegrass musician Bill Monroe, who helped popularize the song (in a different variant, featuring lyrics about a train) among bluegrass and country audiences with his versions recorded in the 1940s and 1950s.
The song, performed by The Four Pennies, reached the UK top twenty in 1964. A live rendering by the American grunge band Nirvana, which reinterpreted Lead Belly's version and was recorded during their MTV Unplugged performance in 1993, helped introduce the song to a new generation.

MTV Unplugged in New York is a live album by the American grunge band Nirvana. It features an acoustic performance taped at Sony Music Studios in New York City on November 18, 1993 for the television series MTV Unplugged. The show was directed by Beth McCarthy and first aired on the cable television network MTV on December 14, 1993. As opposed to traditional practice on the television series, Nirvana played a setlist composed of mainly lesser-known material and cover versions of songs by The Vaselines, David Bowie, Meat Puppets (during which they were joined by two members of the group onstage) and Lead Belly.
MTV Unplugged in New York was the first Nirvana album released in the wake of the April 1994 suicide of singer/guitarist Kurt Cobain. The album debuted at number one on the Billboard 200, and has become the group's most successful posthumous release, selling five million copies in America by 1997. It also won the Grammy for Best Alternative Music Album in 1996. MTV Unplugged was hailed by critics as proof the band was able to transcend the grunge sound they were commonly associated with.^[1] The performance was released on DVD in 2007.



From Wikipedia, the free encyclopedia

Robbie Williams

"Angels" Live at Glastonbury festival  (1998)
The song is written by Williams with Guy Chambers, it was released as a single in December 1997.^[1] It became the singer's biggest selling single and has been voted the best song of the past 25 years at the BRIT Awards. "Angels" has since been covered by many artists including Jessica Simpson, Beverley Knight, in Spanish (as Ángel) by Mexican singers Yuridia and Marco Moré, in Italian (as Un Angelo) by Patrizio Buanne, All Angels, singer Declan Galbraith as well as Verena Von Strenge's latest group, Moon Dust, and American Idol season 7 runner-up David Archuleta



From Wikipedia, the free encyclopedia

Glastonbury is a small town in Somerset, England, situated at a dry point on the low lying Somerset Levels, 23 miles (37 km) south of Bristol. The town, which is in the Mendip district, had a population of 8,784 in the 2001 census.^[1] Glastonbury is less than 1 mile (2 km) across the River Brue from the village of Street.
Evidence from timber trackways such as the Sweet Track show that the town has been inhabited since Neolithic times. Glastonbury Lake Village was an Iron Age village, close to the old course of the River Brue and Sharpham Park approximately 2 miles (3.2 km) west of Glastonbury, dates back to the Bronze Age. Centwine was the first Saxon patron of Glastonbury Abbey, which dominated the town for the next 700 years. One of the most important abbeys in England, it was the site of Edmund Ironside's coronation as King of England in 1016. Many of the oldest surviving buildings in the town, including the Tribunal, George Hotel and Pilgrims' Inn and the Somerset Rural Life Museum, which is based in an old tithe barn, are associated with the abbey. The Church of St John the Baptist dates from the 15th century.
The town became a centre for commerce, which led to the construction of the market cross, Glastonbury Canal and the Glastonbury and Street railway station, the largest station on the original Somerset and Dorset Joint Railway. The Brue Valley Living Landscape is a conservation project managed by the Somerset Wildlife Trust and nearby is the Ham Wall National Nature Reserve.
Glastonbury has been described as a New Age community which attracts people with New Age and Neopagan beliefs, and is notable for myths and legends often related to Glastonbury Tor, concerning Joseph of Arimathea, the Holy Grail and King Arthur. In some Arthurian literature Glastonbury is identified with the legendary island of Avalon. Joseph is said to have arrived in Glastonbury and stuck his staff into the ground, when it flowered miraculously into the Glastonbury Thorn. The presence of a landscape zodiac around the town has been suggested, along with a collection of ley lines, but no evidence has been discovered. The Glastonbury Festival, held in the nearby village of Pilton, takes its name from the town.

Oasis

"Supersonic" Live at Wembley (2000)
The debut single released Oasis, written by lead guitarist Noel Gallagher.
The song appears on their debut album Definitely Maybe, released in August 1994. The song appeared on Rock Band on 1 September 2009 as a live version.

The song was released on 11 April 1994 and peaked at number 31 on the UK Singles Charts, Oasis's lowest-peaking single. However, over time it has amassed sales of over 215,000, making it their 13th biggest selling single ever in the UK, even outselling their 2002 number one "The Hindu Times".
"Supersonic" was also the band's first single to chart in the United States, where it peaked at #11 on the US Billboard Modern Rock Tracks chart on 10 December 1994. The song was performed by the band on their debut national TV performance on Channel 4's The Word. It remains a favourite song of both the band and their fans (on the Definitely Maybe DVD, Noel cites it as his favourite Oasis song). The single went silver in the UK in 2006.
In March 2005, Q magazine placed "Supersonic" at number 20 in its list of the 100 Greatest Guitar Tracks. In May 2007, NME magazine placed "Supersonic" at number 25 in its list of the 50 Greatest Indie Anthems Ever.



From Wikipedia, the free encyclopedia

Jeff Beck

"Hip-Notica"
Album: "Who Else!" released in 1999

Mark Knopfler

 "Shangri-La"
The fourth solo album by Mark Knopfler, released on 28 September 2004.^[3] The album features Knopfler's signature storytelling style of songwriting. The album's first single, "Boom, Like That", was inspired by Ray Kroc's autobiography Grinding It Out and the starting of McDonald's, using many of Mr. Kroc's exact words. "Song for Sonny Liston" is a song about the famous boxer of the same name. "Donegan's Gone" is about the Scottish musician and singer Lonnie Donegan. "5.15 AM" tells the story of the 1967 "one-armed bandit murder". "Back To Tupelo" is about the life of Elvis Presley and his acting career. The album was released on HDCD and in 5.1 Surround Sound on Super Audio CD (SACD) and DVD-Audio.

Shangri-La is a fictional place described in the 1933 novel Lost Horizon by British author James Hilton. Hilton describes Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains. Shangri-La has become synonymous with any earthly paradise but particularly a mythical Himalayan utopia — a permanently happy land, isolated from the outside world. In the novel Lost Horizon, the people who live at Shangri-La are almost immortal, living years beyond the normal lifespan and only very slowly aging in appearance. The word also evokes the imagery of exoticism of the Orient. In the ancient Tibetan scriptures, existence of seven such places is mentioned as Nghe-Beyul Khimpalung.^[1] Khembalung is one of several beyuls ("hidden lands" similar to Shangri-La) believed to have been created by Padmasambhava in the 8th century as idylic, sacred places of refuge for Buddhists during times of strife (Reinhard 1978).
The use of the term Shangri-La is frequently cited^{[by whom?]} as a modern reference to Shambhala, a mythical kingdom in Tibetan Buddhist tradition, which was sought by Eastern and Western explorers; Hilton was also inspired by then-current National Geographic articles on Tibet, which referenced the legend.[citation neede



From Wikipedia, the free encyclopedia

Hot Blood

"Feel Like Making Love"
The song is written by British super group "Bad Company".
The song originally appeared on the LP "Straight Shooter" in April 1975 and was released as a single in August of the same year (see 1975 in music).[1] The song was named the 78th best hard rock song of all time by VH1.[3]




Το ντουέτο των "Hot Blood" αποτελείται απο τους Γιάννη Βατζόλα (vocals - acoustic guitar) και Μιχάλη Πρωτοψάλτη (acoustic guitar - backing vocals).
Η μουσική που παιζουν είναι αυτή που τους αρέσει...

The Beatles

"The Honeymoon Song"

Written by: Theodorakis-Sansom
Recorded: 16 July 1963
Producer: Terry Henebery
Released: 30 November 1994 (UK), 5 December 1994 (US)


Paul McCartney: vocals, bass
John Lennon: rhythm guitar
George Harrison: lead guitar
Ringo Starr: drums




Story of the song:

Μίκης Θεοδωράκης

"Theme from Serpico"

Principal film scores

• 1960: Ill Met by Moonlight (Director: Michael Powell)
• 1960: Honeymoon (Luna de miel) (Director: Michael Powell, Choreography: Leonide Massine)
• 1960: Faces in the Dark (Director: David Eady)
• 1961: Shadow of the Cat (Director: John Gilling)
• 1961: Phaedra (Director: Jules Dassin)
• 1961–62: Les Amants de Teruel (Director: Raymond Rouleau)
• 1961–62: Five Miles to Midnight (Director: Anatole Litvak)
• 1961–62: Electra (Director: Mihalis Kakogiannis)
• 1964: Zorba the Greek (Director: Mihalis Kakogiannis)
• 1967: The Day the Fish Came Out (Director: Mihalis Kakogiannis)
• 1969: Z (Director: Constantin Costa-Gavras)
• 1971: Biribi (Director: Daniel Moosman)
• 1972: State of Siege (Director: Constantin Costa-Gavras)
• 1973: Serpico (Director: Sidney Lumet)
• 1974: The Rehearsal (Director: Jules Dassin)
• 1976: Actas de Marousia (Director: Miguel Littin)
• 1977–78 Iphigenia (Director: Mihalis Kakogiannis)
• 1980: The Man with the Carnation (Director: Nikos Tzimas)

See the complete list on the Official Homepage^[45] of Mikis Theodorakis
Reference: Guy Wagner. Chairman of the International Theodorakis Foundation FILIKI. List of works based on the research of Asteris Koutoulas, published in O Mousikos Theodorakis.



From Wikipedia, the free encyclopedia

Μάνος Χατζιδάκις

"'Εγινε παρεξήγηση" (Η προδοσία)

Άλμπουμ "15 Εσπερινοί" (1964)

Διασκευή για πιάνο, άρπα, δύο κιθάρες και Contra Basso δεκαπέντε τραγουδιών του συνθέτη.

Πιάνο: Μάνος Χατζιδάκις. Κιθάρες: Γεράσιμος Μηλιαρέσης, Δημήτρης Φάμπας. Άρπα: Αλίκη Κρίθαρη. Μπάσο: Αντρέας Ροδουσάκης.(1964)

Το τραγούδι - σε στίχους, μουσική του συνθέτη - ακούστηκε για πρώτη φορά από χορωδία στην ταινία του Jules Dassin "ΠΟΤΕ ΤΗΝ ΚΥΡΙΑΚΗ" (1960).

Ελλήνων δρώμενα

"Κρητικό ιδίωμα"

Τα "Ελλήνων δρώμενα" είναι μια σειρά ντοκιμαντέρ της ΕΤ3 που ξεκίνησε το 2008 και προβάλλεται εβδομαδιαία κάθε Κυριακή στις 12:30 και σε επανάληψη κάθε Τρίτη στις 23:00. Η σειρά είναι ένα οδοιπορικό πάνω στη σύγχρονη ελληνική ανθρωπογεωγραφία με επίκεντρο τη μουσική και το χορό σε συνδυασμό με την έννοια του ταξιδιού και του μύθου.







Από τη Βικιπαίδεια, την ελεύθερη εγκυκλοπαίδεια

Επεισόδια

1. «Για μια αγάπη Ανωγειανή» (Γαμήλιο γλέντι και μαντινάδες στα Ανώγεια)
2. «Απτάλικος» (Ο χορός απτάλικος στη Λέσβο)
3. «Ο Γρηγόρης Καψάλης και τα ξακουστά Τακούτσια» (Αφιέρωμα στον Ηπειρώτη κλαρινίστα)
4. «Γάμος στα Ανώγεια»
5. «Grecia Salentina (μέρος α)» (Οδοιπορικό στη Grecia Salentina της Κάτω Ιταλίας)
6. «Grecia Salentina (μέρος β)»
7. «Η Λύρα και ο Νταχαρές …χορό εστήσανε εψές!» (Μακεδονίτικη λύρα και νταχαρές)
8. «Καπετάνιος με καρδιά!» (Το ιστορικό καΐκι του Σκοπελίτη στις Μικρές Κυκλάδες)
9. «Με την πνοή των οργάνων» (Γκάιντες, νταχαρέδες και κουδουνάτοι στο ναό του Διονύσου)
10. «Ο χορός του μηχανικού» (Ο χορός των σφουγγαράδων στην Κάλυμνο)
11. «Οι δεσποινίδες τραγουδούν» (Οι αδελφές Ελένη και Σουζάνα Βουγιουκλή)
12. «Πεντοζάλι …στα Σφακιά μέρος α» (Η Σφακιανή εκδοχή για την δημιουργία του συγκεκριμένου χορού)
13. «Πεντοζάλι …στα Σφακιά μέρος β»
14. «Σεραϊκός ζουρνάς!» (Ζουρνάς στην Ηράκλεια Σερρών και τη λίμνη Κερκίνη)
15. «Σκιές …και φωνές του Καραγκιόζη» (Ο καραγκιοζοπαίχτης Άθως Δανέλης)
16. «Το αχ και το αμάν»: (Οι αμανέδες του Σόλωνα Λέκα στην Λέσβο)
17. «Το ζεϊμπέκικο της Ευδοκίας …εγώ το χόρεψα!» (Ο πρωταγωνιστής της ταινίας Ευδοκία Γ. Κουτούζης 50 χρόνια μετά)
18. «Τραγουδώντας πολυφωνικά» (Η πεντατονική μουσική της περιοχής Πωγωνίου της Ηπείρου)
19. «Σαμπούνα & to Beat» (Οι σαμπούνες και τα τουμπάκια σε αντιδιαστολή με τα κλαμπ της Μυκόνου)
20. «Το πανηγύρι του Άη Συμιού» (στο Μεσολόγγι)
21. «Οι Μαντινάδες των Βοσκών» (Οι βοσκοί των Ανωγείων, ο Ψαραντώνης, ο Νικηφόρος Αεράκης και οι μαντινάδες τους)
22. «Τσι Ζάκυνθος φωνές» (Οι πολυφωνικές χορωδίες της Ζακύνθου)
23. "Ο Πρωτοχορευτής σε τέσσερις πράξεις" (Η σχέση του πρωτοχορευτή με το σύνολο, στην Κάρπαθο, στην Ήπειρο και στην Κρήτη)
24. "Ικαριώτικος" (Ο χορός και τα χαρακτηριστικά του)
25. "Το ταξίδι των Μαστόρων" (Οι Ηπειρώτες ταξιδευτές χτίστες της Πέτρας)
26. "Η σκάλα του Μιλάνου" (Η ιστορική σκάλα του Μιλάνου -των αφών Μιλάνων- στο Βόλο)
27. "Παιδιά της Σαμαρίνας" (το πασίγνωστο τραγούδι και η ιστορική του αναφορά στην έξοδο του Μεσολογγίου)
28. "Μπάλλος θερμιώτικος" (ο χορός του Μπάλλου στην Κύθνο)
29. "Wedding party - Γάμος στα Νάματα" (ο γάμος νέου ζευγαριού με παραδοσιακό τρόπο στο χωριό Νάματα Κοζάνης)
30. "Καβοντορίτικο" (ο χορός και η καταγωγή του)
31. "Η Λέρος μές στο πέλαγος" (αφηγήσεις και τραγούδια που γέννησε η θάλασσα της Λέρου)
32. "Ξενιτεμένα μου πουλιά" (Η επιστροφή των ξενιτεμένων το δεκαπεντάυγουστοστο στα Μαστοροχώρια της Κόνιτσας)
33. "Η Ωραία των Πενταγιών" (η Θρυλική ιστορία της Μαρίας Πενταγιώτισσας)
34. "Το κάστρο της Αστροπαλιάς"
35. "Το δέντρο που δακρύζει" (Τα μαστιχόδεντρα και η μουσικοχορευτική τους υπόσταση)
36. "Το χωριό που χορεύει" (Το γλεντζέδικο χωριό Κινύδαρος της Νάξου)
37. "Της λύρας η επανάσταση - Νικηφόρος Αεράκης"
38. "Μεταξένιες μνήμες μερος α"
39. "Μεταξένιες μνήμες μερος β"
40. "Γκάϊντα"
41. "Δροσουλίτες"
42. "Απείρανθος"
43. "Ο Δίας ήτανε βοσκός"
44. "Στοιχειωμένες φωνές - Πιέρια όρη μέρος α"
45. "Νεράϊδες - Πιέρια όρη μέρος β"
46. "Θα φύγω μάνα μακρυά"
47. "Τέσσερις άρπες"
48. "Αμοργιανό μου πέραμα"
49. "Η καρδιά χτυπάει - Ρουμλούκι μέρος α"
50. "Θυμάμαι τα Ρογκάτσια - Ρουμλούκι μέρος β"
51. "Γυναικείες Διφωνίες"
52. "Κύθηρα"

Jimi Hendrix

"Voodoo Child"
The closing track on Electric Ladyland, the third and final album by The Jimi Hendrix Experience. The song is known for its wah-wah-heavy guitar work. It is #101 on Rolling Stone's list of 500 greatest songs of all time.^[1]
The song was recorded in 1968, and was re-released as a single after Hendrix's death in 1970. It reached Number 1 in the UK, making it the band's only single to top the charts.^[2] It was catalogued as "Voodoo Chile" (Track 2095 001), and that is the title which appears on the single and is the title referred to officially. This obviously confuses it with the 15-minute song "Voodoo Chile" also on Electric Ladyland. The B-side of the single featured two of his previous hits: "Hey Joe" and "All Along the Watchtower".

The genesis of "Voodoo Child (Slight Return)" was essentially in "Voodoo Chile", a long blues jam featuring guest Steve Winwood.^[3] On May 3, 1968 (the day after "Voodoo Chile"'s recording), a crew from ABC filmed the Jimi Hendrix Experience while they played. As Hendrix explained it:

[S]omeone was filming when we started doing [Voodoo Child]. We did that about three times because they wanted to film us in the studio, to make us—"Make it look like you're recording, boys"—one of them scenes, you know, so, "OK, let's play this in E, a-one, a-two, a-three", and then we went into "Voodoo Child".^[4]

The song became one of Hendrix's staples in live performances and would vary in length from 7 to 18 minutes. Notable live performances were at Woodstock and during his 1969 show at the Royal Albert Hall, originally released on the posthumous Hendrix in the West album, later re-released on the Experienced Box Set. On the Band of Gypsys live album Live at the Fillmore East, Hendrix refers to the song as the Black Panthers' national anthem.



From Wikipedia, the free encyclopedia

Νικόλας Άσιμος

"Εγώ με τις ιδέες μου"
Ερμηνεία: Σωτηρία.Λεονάρδου
Στίχοι - μουσική: Νικόλας  Άσιμος

Παράνομη κασέτα Νο.000008  "Το Φανάρι του Διογένη" (1989)
Πλευρά Α: Μπαγάσας, Λίνα, Εγώ με τις ιδέες μου, Γιουσουρούμ
Πλευρά Β: Δεν θέλω καρδιά μου να κλαις, Φανάρι του Διογένη, Πας φιρί φιρί, Οϊμέ, Ουλαλούμ.

Σταύρος Ξαρχάκος

"Τη σπάθα σήκωσε και πάλι"
Ερμηνεία Νίκος Ξυλούρης
Στίχοι: Παύλος Μάτεσις, μουσική: Σταύρος Ξαρχάκος.
Album: "Η συμφωνία της Γιάλτας και της πικρής αγάπης τα τραγούδια" (1976)





Το 1945, ο πρόεδρος των ΗΠΑ, ο ηγέτης της ΕΣΣΔ και ο Άγγλος Πρωθυπουργός βρέθηκαν στη Γιάλτα της Ουκρανίας προκειμένου να αποφασίσουν για τη μεταπολεμική πολιτική στις χώρες που είχαν καταληφθεί από τους Γερμανούς και στις χώρες που είχαν συμπράξει με τους Ναζιστές. Με αφορμή αυτό το γεγονός, ο Σταύρος Ξαρχάκος κυκλοφορεί 31 χρόνια αργότερα τον δίσκο «Η συμφωνία της Γιάλτας και της πικρής αγάπης τα τραγούδια» με ερμηνευτές τους Σταύρο Παράβα, Νίκο Ξυλούρη και Δήμητρα Γαλάνη. Οι στίχοι ανήκουν στους Νίκο Γκάτσο, Παύλο Μάτεσι, Γιώργο Σκούρτη, Βαγγέλη Γκούφα και Ματθαίο Μουντέ. Ουσιαστικά ο Παράβας και ο Ξυλούρης τραγουδούν τα «πολιτικά» κομμάτια και η Γαλάνη τα τραγούδια της αγάπης.

Μέρες Απεργίας

Ένα ντοκιμαντέρ μικρού μήκους για την απεργία στο εργοστάσιο της Χαλυβουργίας Ελλάδος στον Ασπρόπυργο. Για περισσότερους από 2 μήνες, σχεδόν 300 εργαζόμενοι αγωνίζονται για τα αυτονόητα: το 8ωρο, το πενθήμερο και έναν αξιοπρεπή μισθό.

Σενάριο - Συνεντεύξεις: Κώστας Καλλέργης, Γιάννης Βάκρινος
Διεύθυνση Φωτογραφίας: Αλέξανδρος Θεοφυλάκτου
Μοντάζ: Θεοδώρα Κατριμπούζα, Ηλίας Τσιαμπούρης
Μουσική: Ανδρέας Κουλούρης (από το soundtrack της ταινίας "Το Ρόδι" του Χρήστου Καρτέρης)

Manu Chao

"Que hora son" / "Gustas tu"  Live at Baionarena (2008)



From Wikipedia, the free encyclopedia

Manu Chao (born José-Manuel Thomas Arthur Chao on June 21, 1961), is a French singer of Spanish roots (Basque and Galician). He sings in French, Spanish, English, Italian, Galician, Arabic and Portuguese and occasionally in other languages. Chao began his musical career in Paris, busking and playing with groups such as Hot Pants and Los Carayos, which combined a variety of languages and musical styles. With friends and his brother Antoine Chao, he founded the band Mano Negra in 1987, achieving considerable success, particularly in Europe. He became a solo artist after its breakup in 1995, and since then tours regularly with his live band, Radio Bemba.

R.E.M.

"It's the End of the World as We Know It (And I Feel Fine)"
The appeared on their 1987 album Document, the 1988 compilation Eponymous, and the 2006 compilation And I Feel Fine... The Best of the I.R.S Years 1982–1987. It was released as a single in November 1987, reaching #69 US Billboard Hot 100 and later reaching #39 in the UK singles chart on its re-release in December 1991.
The song originated from a previously unreleased R.E.M. song called "PSA" ("Public Service Announcement"); the two songs are very similar in melody and tempo. "PSA" was itself later released as a single in 2003, under the title "Bad Day". In an interview with Guitar World magazine in the early 1990s,^[specify] R.E.M. guitarist Peter Buck indicated that one of the primary inspirations of "End of the World" was Bob Dylan's "Subterranean Homesick Blues".^[2]



From Wikipedia, the free encyclopedia

Elvis Presley & Martina McBride

"Blue Christmas"
A Christmas song written by Billy Hayes and Jay W. Johnson. Its tale of unrequited love during the holidays and is a longstanding staple of Christmas music, especially in the country genre.

The song was first recorded by Doye O'Dell in 1948,^[3] and was popularized the following year in three separate recordings: one by country artist Ernest Tubb; one by bandleader Hugo Winterhalter and his orchestra; and one by bandleader Russ Morgan and his orchestra (the latter featuring lead vocals by Morgan and backing vocals by singers credited as the Morganaires).^[4] Tubb's version spent the first week of January 1950 at # 1 on Billboard magazine's Most-Played Juke Box (Country & Western) Records chart, while Winterhalter's version peaked at # 9 on Billboard's Records Most Played by Disk Jockeys chart and Morgan's version reached # 11 on Billboard's Best-Selling Pop Singles chart.^[5]
Elvis Presley cemented the status of "Blue Christmas" as a rock-and-roll holiday classic by deleting one verse from Tubb's version and recording the remainder on his 1957 LP Elvis' Christmas Album. Presley's version is notable musicologically as well as culturally in that its backing vocalists (especially in the soprano line) replace many major and just minor thirds with neutral and septimal minor thirds, respectively. In addition to contributing to the overall tone of the song, the resulting "blue notes" constitute a musical play on words that provides an "inside joke" or "Easter egg" to trained ears. Presley's original 1957 version was released as a commercially-available single for the first time in 1964.
American rock band The Beach Boys recorded a version featuring Brian Wilson on lead vocals, releasing it on November 16, 1964, in two separate formats simultaneously: a) the B-side of the "The Man with All the Toys" single and b) a track on The Beach Boys' Christmas Album. The Beach Boys' version reached #3 on the U.S. Christmas charts but did not chart in the U.K.



From Wikipedia, the free encyclopedia

Pink feat Indigo Girls

"Dear Mr. President" (Live at Wembley stadium)
A song by Pink featuring the Indigo Girls, and was recorded for Pink's fourth album, I'm Not Dead. Pink said that the song was an open letter to the President of the United States, George W. Bush, and that it was one of the most important songs she had written. She stated that it would never be released as a single in the United States, because it was too important to be perceived as a publicity stunt.^[1] It has since been released in Europe, Australia and Canada. The video of her performance live from Wembley Arena was added to the VH1 line-up of videos.



From Wikipedia, the free encyclopedia

Willie Nelson feat. Norah Jones

"Baby It's Cold Outside"
A pop standard with words and music by Frank Loesser.^[1] Originally, it was never intended to be a Christmas song. In its early years it was played year round. In recent years, however, it was recorded by numerous Adult Contemporary artists and began being played as a Christmas Song.

Loesser wrote the duet in 1944 and premiered the song with his wife, Lynn Garland, at their Navarro Hotel housewarming party, and performed it toward the end of the evening, signifying to guests that it was nearly time to end the party. Lynn considered it "their song," and was furious when Loesser sold the song to MGM.^[2]



From Wikipedia, the free encyclopedia