Εμφάνιση αναρτήσεων με ετικέτα Jazz. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Jazz. Εμφάνιση όλων των αναρτήσεων

Benny Goodman & His Orchestra

"Sing, Sing, Sing (With a Swing)" is a 1936 song, written by Louis Prima and first recorded by him with the New Orleans Gang and released in March 1936 as a 78 as Brunswick 7628 (with "It's Been So Long" as the B side). It is strongly identified with the big band and swing eras. It was covered by Fletcher Henderson and most famously Benny Goodman. Originally entitled "Sing Bing Sing", in reference to Bing Crosby, it was soon retitled for use in wider contexts. The song has since been covered by numerous artists. The original version of the song by Louis Prima includes lyrics, but, due to the better-known Benny Goodman version being instrumental (and including many musical flourishes in its arrangement), many assume the song was written as such.

Πέννυ & The Swingin' Cats

"H λέξη που αγάπησα"
 Ερμηνεία :  Πέννυ Μπαλτατζή
 Στίχοι: Θοδωρής Γκόνης , μουσική: Λεωνίδας Μαριδάκης, άλμπουμ: "Σε βάθος δρόμου" (2009).

Miles Davis

 "So What
Is the first track on the 1959 Miles Davis album Kind of Blue.

Miles Davis and John Coltrane play one of the best renditions of SO WHAT ever captured on film-Live in 1958. Edit : in fact, was in New York, april 2, 1959. Recorded by CBS producer Robert Herridge. Cannonball Adderley had a migrane and was absent from the session. Wynton Kelly played piano--he was the regular band member at this time--but Bill Evans had played on the original recording of "So What" on March 2, 1959. The other musicians seen in the film were part of the Gil Evans Orchestra, who performed selections from "Miles Ahead". Jimmy Cobb on drums.

"So What" is one of the best known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E Dorian and another eight of D Dorian.[1] This AABA structure puts it in the thirty-two bar format of American popular song.

The piano-and-bass introduction for the piece was written by Gil Evans for Bill Evans (no relation) and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction, after which the quintet played the rest of "So What".

The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three perfect fourths followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine.[citation needed]

While the track is taken at a very moderate tempo on Kind Of Blue, it is played at an extremely fast tempo on later live recordings by the Quintet, such as Four and More.

The same chord structure was later used by John Coltrane for his standard "Impressions".[2]

Kind of Blue is a studio album by American jazz musician Miles Davis, released August 17, 1959, on Columbia Records in the United States. Recording sessions for the album took place at Columbia's 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis's ensemble sextet, which consisted of pianists Bill Evans and Wynton Kelly, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley. After the inclusion of Bill Evans into his sextet, Davis followed up on the modal experimentations of Milestones (1958) and 1958 Miles (1958) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz.
Though precise figures have been disputed, Kind of Blue has been cited by many music writers not only as Davis's best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis's masterpiece. The album's influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums of all time. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time.



From Wikipedia, the free encyclopedia

Sting

"Englishman in new York"
 "All This Time": The Concert/DVD, Release Date: December 4, 2001

The DVD is a 70-minute documentary of Sting and his band recording songs for his album "All This Time" and preparing for a live performance to celebrate the album in front of a small group of their family and friends in Tuscany, Italy. The performance was to be webcast live to fans on the Internet on September 11, 2001. However, the events of that day changed those plans. The webcast consisted of a very emotional and heart-felt rendition of the song "Fragile", and then the webcast was shut down. But the concert continued in Italy.



Sting's Comments about the Concert:

"Trudie and I lost a friend in the Twin Towers (investment banker Herman Sandler), and singing was the last thing I wanted to do, to be honest with you. I just wanted to crawl into a corner and cry. I put it to the band. I said, 'What do you want to do' And they all said, 'We wanna play.' It was a much more sombre show than what we had planned. But as the concert progressed, the mood changed. We felt we had every right to be there, listening to music, making music, singing; because really it's the opposite of what terrorism wants. Terrorism wants us to be afraid, to be frightened and to be controlled. So even though, at the time, I didn't want to do it, I've had no second thoughts about whether or not it was right to carry on with the show."
(Daily Express, Oct 2003)

George Gershwin

"Rhapsody in Blue"

Royal Albert Hall, 1976: A unique concert with Leonard Bernstein as the conductor and the Piano Master, performing George Gershwin's Rhapsody in Blue.


From Wikipedia, the free encyclopedia

George Gershwin (September 26, 1898 – July 11, 1937) was an American composer and pianist.[1] Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are widely known. Among his best known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), as well as the opera, Porgy and Bess (1935).

He wrote most of his vocal and theatrical works, including more than a dozen Broadway shows, in collaboration with his elder brother, lyricist Ira Gershwin.

George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public. His compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.